THE GLASS. Every loop is a small sculpture in an empty landscape, lit by one sun, drawn as a print: the parts move with whole-number periods so the loop closes by construction, the forms are outlined like an engraving, and the picture is printed in three to six inks from the palettes this box has always carried. AUTO lets the seed decide; set anything to overrule it. The draft arrives at once and sharpens in place; SAVE writes the print at 1080². Most plates are ASSEMBLIES — monuments composed on the spot from a grammar of primitives, arrangements and whole-number motions, so no two come round twice; the named subjects are the rest. Weather (a fog bank, printed rain), a camera that sways, dollies, cranes or orbits, a second light, and a PANDORA loop on every plate: the largest part of every monument wears a v3 CHIMERA loop, wrapped to the form and modelled by the plate's light, rolled at random by the seed with nothing steered. Paste any PNDR card to make it wear that one instead.